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                <text>Arpeggios</text>
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                <text>A collection of arpeggio patterns from public domain guitar methods.</text>
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                <text>from: Carulli, Ferdinando. Method pour la guitare. Paris: Launer, No.6, n.d.(ca.1825) p.14&lt;br /&gt;&lt;a href="https://imslp.org/wiki/%C3%89cole_de_guitare,_Op.241_(Carulli,_Ferdinando)#IMSLP260383" title="https://imslp.org/wiki/%C3%89cole_de_guitare,_Op.241_(Carulli,_Ferdinando)#IMSLP260383"&gt;https://imslp.org/wiki/%C3%89cole_de_guitare,_Op.241_(Carulli,_Ferdinando)#IMSLP260383&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;from: Roch, Pascual. Método moderno para guitarra. Schirmer, NY. 1921. pp. 34-37&lt;br /&gt;&lt;a href="https://imslp.org/wiki/M%C3%A9todo_moderno_para_guitarra_(Roch%2C_Pascual)" title="https://imslp.org/wiki/M%C3%A9todo_moderno_para_guitarra_(Roch%2C_Pascual)"&gt;https://imslp.org/wiki/M%C3%A9todo_moderno_para_guitarra_(Roch%2C_Pascual)&lt;/a&gt;</text>
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              <text>This arpeggio study has melody in the bass, and arpeggiated 3rds above. It's harmony is a repeating i/iv progression between Em and Am. &#13;
&#13;
The Em chord doesn't require any fretting except for the bass notes. For the Am chord, hold your index and ring fingers down, and use your pinky and middle fingers to play the bass line.&#13;
&#13;
Try to practice all the finger-pickings for balance and versatility, but the (i,m) and (m,a) fingerings are the most ergonomic and best for speed.&#13;
&#13;
For more practice, make variations by applying other three note arpeggio patterns.</text>
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              <text>&lt;a href="https://djellis.net/items/show/60" title="from_Pascual-Roch_Tarrega-Método-12-arpeggios_on-sets-of-3strings"&gt;from_Pascual-Roch_Tarrega-Método-12-arpeggios_on-sets-of-3strings&lt;/a&gt;&lt;br /&gt;&lt;a href="https://djellis.net/items/show/60"&gt;&lt;img src="https://djellis.net/files/thumbnails/b4421adddc69fc9e213ba2e50d215f13.jpg" alt="https://djellis.net/items/show/60" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;</text>
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