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The chords in these exercises stay on the same strings and move horizontally along the fretboard. They're ideal for arpeggio practice because the fingerpicking hand doesn't move between strings.

Try these chord changes paired with arpeggios from Roch's method. Combining these chords with slow arpeggio practice allows time to think about the fretboard while also building technique. ]]> triads_Major_root-voice_cycle-of-4ths_first-set-of-3strings.png
triads_Major_root-voice_cycle-of-4ths_first-set-of-3strings.mp3
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triads_Major_root-voice_cycle-of-4ths_second-set-of-3strings.mp3
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triads_Major_root-voice_cycle-of-4ths_third-set-of-3strings.png
triads_Major_root-voice_cycle-of-4ths_third-set-of-3strings.mp3
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triads_Major_root-voice_cycle-of-4ths_fourth-set-of-3strings.png
triads_Major_root-voice_cycle-of-4ths_fourth-set-of-3strings.mp3
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triads_Major_root-voice_cycle-of-4ths_same-sets-of-3strings.pdf]]> ]]> https://creativecommons.org/licenses/by/4.0/deed.en]]> from_Pascual-Roch_Tarrega-Método-12-arpeggios_on-sets-of-3strings



intervals-of-triad-inversions_with_figured-bass-notation



theory_key-signatures_and_scale-formulas



flashcard_Major_chord_spelling_staff_print.pdf



triads_Major_root-voice_cycle-of-4ths_alternating-sets-of-3strings



chord_diagrams_triads_inversions-and-alternate-fingerings



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