Browse Items (7 total)

  • Tags: technique

triads_diminished_root-voice_cycle-of-4ths_first-set-of-3strings.png
Practicing triads around the cycle of 4ths develops fretboard knowledge and hand agility.

The chords in these exercises stay on the same strings and move horizontally along the fretboard. They're ideal for arpeggio practice because the…

triads_minor_root-voice_cycle-of-4ths_first-set-of-3strings.png
Practicing triads around the cycle of 4ths develops fretboard knowledge and hand agility.

The chords in these exercises stay on the same strings and move horizontally along the fretboard. They're ideal for arpeggio practice because the…

triads_Major_root-voice_cycle-of-4ths_first-set-of-3strings.png
Practicing triads around the cycle of 4ths develops fretboard knowledge and hand agility.

The chords in these exercises stay on the same strings and move horizontally along the fretboard. They're ideal for arpeggio practice because the…

technique_three-note-arpeggios_I-V_i-v_chord-vamps-1.png
Chord vamps are repeating progressions. Their repetition provides stability for improv and variations.

Simple chord changes help with learning difficult fingerpicking arpeggios. The triads in these exercises stay on the same sets of strings, so we…

etude_three-note-arpeggios_E-minor_3rds-in-melody.png
This arpeggio study has melody in the bass, and arpeggiated 3rds above. It's harmony is a repeating i/iv progression between Em and Am.

The Em chord doesn't require any fretting except for the bass notes. For the Am chord, hold your index and…

etude_from_École de guitare_Op.241_p14_Arpeggios-of-three-notes.png
Many etudes in classical guitar have a steady arpeggio played over chord changes.Variations can be made by applying different arpeggio patterns to them.In this etude by Carulli, each measure can be thought of as having four triad changes during a…

from_Pascual-Roch_Tarrega-Método-12-arpeggios_on-sets-of-3strings.jpg
There are many arpeggios that have three vertical pitches in Pascual Roch's Método moderno para guitarra. Vol. 1 (1921)

Here are twelve from pages 34-37 combined with triads.

These examples are written with the C Major triad, but play any…
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