]]> ]]> Variations can be made by applying different arpeggio patterns to them.

In this etude by Carulli, each measure can be thought of as having four triad changes during a constant p,i,m, arpeggio.

Try applying any three note arpeggio to this Carulli etude, it's effective technique practice, and your composing.

The first two measures have a I-V (C-G7) chord progression. If you can't play the entire piece, repeat those measures only.
Mauro Giuliani's arpeggios from his Op.1 (Boije 136) repeat C and G7 with 120 variations, so you'd be doing something like that.]]> etude_from_École de guitare_Op.241_p14_Arpeggios-of-three-notes.png
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etude_from_École de guitare_Op.241_p14_Arpeggios-of-three-notes.pdf]]> ]]> https://imslp.org/wiki/%C3%89cole_de_guitare,_Op.241_(Carulli,_Ferdinando)#IMSLP260383]]> https://creativecommons.org/licenses/by/4.0/deed.en]]> from_Pascual-Roch_Tarrega-Método-12-arpeggios_on-sets-of-3strings



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